that's such an incredibly coherent response, and I do get most of it.
Or, you could dump them all back into another multitrack session and do the same thing there - doesn't matter which. At this point you should be able to do an Open>Append and put them in whatever order you want, and they should flow into each other without any particularly noticeable level shifts. If you use the ITU setting, then for a mix tape, I'd be inclined to drop the target level to between -15 and -20 LUFS, just to keep the file levels sensible. If the tracks are all fairly similar, I'd initially go for the ITU setting, but it's easy enough to undo what you've done and try another. Select the loudness contour you want to use (you may need to experiment a bit with these) and then run it - your recordings will then be adjusted to suit that setting. Then you have to select the 'match volume' window, and drop all the mixdowns into it. You also need to make sure that the mixdowns are all 32-bit, so the actual level of them doesn't matter (32-bit mixdowns have almost infinite headroom). The basic principle is quite simple you need to get all the individual multitrack arrangements balanced the way you'd like first, otherwise the level matching results will be more variable than you'd want.
#Adobe audition normalize full
Then once all the individual tracks are normalised to -6Db, just tack the full songs all together in whatever arrangement I want? Should I just normalise each individual instrument track to (say) -6Db first? (I need it lower than 0Db, as when we add our live stuff in, we end up peaking). I want to run about 20 songs into each other, to end up with say, a one-hour non-stop track that we can play when we gig.īearing in mind that each multitracked song's tracks levels and gains aren't mixed all that well, what order of operations would you suggest I do things in to fix all the track levels etc of these 20 multitracks, so that each song sits perfectly against the next one it runs into? I don't want to be riding faders on the mixer when we perform. While the recording quality and muso performances were I guess reasonable in most of the tracks, most of the tracks haven't been mixed together all that well.
I start with the full backing tracks downloaded in multitrack format from Karaoke Version - so each song has say 15 stereo tracks (drums, bass gt, keyboards, lead vocals etc.). So in my case, I have about 40 songs that my duo partner and I play.
I recently took on the role of producing all the audio track backings we use in most of our songs, and I'm using Adobe Audition CS6 to do it.
#Adobe audition normalize pro
I'm a pro musician in a touring cover band duo.
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